The Spellbook Blog
Where stories meld with sound, vision, and community.
Author Spotlights: featuring indie authors and their journeys, giving readers a glimpse into the magic behind the books.
Behind the Story: Visual and audio features that bring you closer to the creators.
Industry Insights: Tips, reflections, and guidance to help authors thrive in publishing, audio, and promotion.
Community Voices: Celebrating milestones, events, and collaborations across the indie author space.
Our blog is more than words on a page, it’s a living archive of creativity, connection, and storycraft.
Spellcraft Author Feature:
Stephanie Napolitano
Where grit, heart, and healing take center stage.
We’re honored to welcome Stephanie Napolitano to The Spellbook Blog. Through tender, unflinching stories and her podcast Storytelling with Stephanie, she transforms vulnerability into resonance, proving that even in the messiest seasons, love, courage, and craft can bloom. Below, she opens up about creative evolution, balancing wounds with wonder, and the rituals that help her step into the work.
You host Storytelling with Stephanie, a podcast about truth, transformation, and owning one’s journey. What was the origin moment that sparked you to create this show?
Storytelling with Stephanie has been my way to reclaim my voice. Moments of feeling stifled, both creatively and otherwise sparked the idea to step out of my comfort zone. It's also been a fun and exciting way to get (great) advice from my favorite authors.
As both a romance author and a storyteller, how do you balance vulnerability and boundaries when sharing personal themes in your writing?
I bleed on the page as cheesy as that sounds. I draw from my own vulnerabilities and fears, using my characters to explore them. I love turning pain into art, but I also strive to create character-driven stories with unique emotional arcs and wounds. They mirror the emotions I’m experiencing, yet I try to transform them into something entirely new.
Many of your stories and your podcast explore healing, second chances, and emotional resilience. Which of your own life experiences most deeply influences those recurring themes?
The parts of my life and myself that I've had to rebuild after whatever was happening at the time: heartbreak, major changes, loss, shapes everything I write. I love experimenting with different paths to resilience and I love writing books that explore what healing looks like because it isn't linear.
If you could whisper a message to your younger writing self, what would you say about journey, faith, or persistence?
I love this question. I actually wrote a whole Substack on the topic of my younger self. I’d whisper to my younger self to have faith in herself and that she already knows so much. But I know she wouldn’t listen. Pain was part of the journey, and it led me here (to writing) and for that, I’m grateful.
Which part of your writing or publishing journey has surprised you most, good or difficult, and how did you adapt?
When I first published, I was so nervous and panicky. Now that I've done it twice, I feel a little more confident. Also, I definitely had to adopt a schedule and make time to handle admin tasks while maintaining my writing.
Many of your books deal with past wounds and redemption. How do you decide how much of the past to reveal, and when to let silence or mystery remain?
The past is crucial to any redemption story, but knowing every detail would blur the present and future. It's a delicate balance for sure. There's a scene in Pretend for Me that I often regret cutting because it gave additional context to Cassie's headspace. But again, I think what isn’t said tells the truth more honestly than exposition ever could. Though I still wish I included that scene ;)
When looking back at your published books, how do you see your voice evolving, are there newer themes you’re drawn toward now that feel different from your earlier work?
Definitely! My current projects still have emotional depth, but I’m leaving more room for lightness. Joy and banter. My earlier books were written from a place of survival. Now I’m a bit more reflective, and I’m excited to share that. But knowing me, I’ll probably be back to angst next week...
If your creative process were a spell, what ingredients would it include?
A few handfuls of hope, a pinch (or two) of heartbreak, and an unreasonable amount of persistence (maybe stubbornness. I am a Taurus afterall). Add a dash of discipline, some good music, and you've got yourself a story. But overall it stems from a belief that love (on or off the page) is always worth it.
What phase of the moon best represents your writing rhythm, the fiery energy of the full moon, the quiet creation of the new, or something in between?
Full moon! I love the all-consuming, emotional, restless vibes. I get obsessive and stay up well into the night when I'm all in with a project. It's messy but magical.
If you could brew a potion or tea inspired by your favorite story you’ve written, what would it taste like, and what intention would it carry?
It would be a classic blend with a little zing at the end. Something that reminds us we're alive. Love doesn't have to be perfect to be real.
Do you have a ritual or practice (lighting a candle, pulling a tarot card, choosing a song) that helps you step into your creative power before you write?
Sometimes! But I began my writing journey in the middle of night. I was feeding my baby and started writing on my phone. Delusionally tired, I stumbled into this passion and now I’m completely obsessed. I do love a playlist but usually that comes to me as I go along.
Spellcraft Narrator Feature: Lexy Dalton
The Voice Between Worlds
How did you first discover your love for narration, and what drew you to giving stories a voice?
Voice acting has always been my dream career. Literally my “what do you want to be when you grow up” answer. I am a lifelong audiobook lover (I vividly remember listening to Tim Curry’s narration of A Series of Unfortunate Events on my walkman in middle school art class) and I’ve always admired the talents of voice actors on shows like Futurama and Bob’s Burgers. When Kate Raven asked me to narrate her audiobook, it was a dream-come-true!
Your tagline says “cute, campy, versatile.” How does that playful range influence how you approach your characters and genres?
I hope I’m not limiting myself too much with that description, but I’m definitely more in my comfort zone with comedy and lighter-toned works than, say, epic fantasy. I’m a goofy, light-hearted person, so I think that persona just comes naturally to me. I do eventually want to branch out into other tones and genres. But I love acting out over-the-top characters and really embodying the comedy of a scene.
What rituals or routines help you get into the right headspace before recording?
I typically warm up for about an hour–by singing, reciting tongue twisters, doing vocal and breathing exercises. Yoga is great to prepare your body for recording, which is surprisingly physical. I'll practice a scene. Then, when I’m ready to get in the booth, I always start with something small–maybe punch-in lines–until I’m confident that my voice is fully warmed up and I’m ready to dive into a scene. Oh, and I–and I think every audiobook narrator, haha–swear by Traditional Medicinals Throat Coat tea.
Your Warm-Up Mix playlist is such a fun touch, what kind of songs or sounds help you embody a character’s energy?
I never thought of it that way! Right now, my Warm-Up Mix is just a bunch of fun songs I like to sing when I’m getting ready to record. But I love the idea of making character-specific playlists to mentally and vocally get-into character.
When you record, do you imagine yourself inside the story, or do you approach it as a director shaping the experience for the listener?
When I’m recording, I try to connect with and embody the characters’ emotions. When I’m prepping a manuscript, I will literally write out a map of each character’s emotions in a scene. I want the listener to feel along with the character, or at least be able to logically follow their emotional arc. Especially because sometimes a character’s literal words don’t match their emotions (for example, when the FMC in Dirty Rotten Cheating Husband is trying to convince herself that she’s over her ex but she obviously isn’t). I want to feel what the characters I’m acting out are feeling and I want the listener to feel that too.
Has there ever been a scene or emotion that lingered with you long after recording ended?
Not that I can recall. But my work so far has been campy romcoms, so nothing too emotionally devastating.
As a narrator, how do you balance bringing a story to life while honoring the author’s original intent?
I believe that every experience with a book–be that reading or narration–is an interpretation. I really try to understand the characters, the way they think and feel, and trust them to lead the way.
You’ve worked on titles like The Catcher by Kate Raven and Dirty Rotten Cheating Husband by Katie Landry, what drew you to these stories?
I love The Catcher. It’s one of my favorite Kate Raven books. It was such an honor and so much fun to narrate. I want everyone who listens to love Tanner as much as I do by the end. He is so needy and emotionally immature underneath his cruel, Alpha bully persona. And Emrys–she sees herself as such a doormat, but it’s evident in her words and actions that she’s actually really powerful and sassy. I love being able to portray that complexity and Kate Raven writes complicated characters so well. Dirty Rotten Cheating Husband (soon to be released) is also such a fun, dimensional book. I love the way Katie Landry experiments with the (often maligned) cheating husband trope. It’s important that he be redeemable by the end of the book, and part of the magic of audio is you see beyond the words to get a sense of the conflicting emotions underneath what he says or even what he tells himself.
How does your experience with dark romance and horror shape the way you bring tension and intimacy to the mic?
When it came to narrating The Catcher, it was important to me to convey Emrys’s very real fear of Tanner. Kate Raven’s dark romances do have an element of horror and the way she so skillfully mingles true horror and desire is one of my favorite things about her books. So I want the listener to experience Emrys’s terror but also the way she enjoys surrendering to his cruelty.
What’s one character or moment that’s changed the way you think about storytelling?
I think Grayson in Dirty Rotten Cheating Husband was really interesting, because externally he is such a gruff, emotionless person but internally he’s very emotional–or at least learning to let himself feel. It was a delicate balance to play out his inner emotions and outer reactions in a way that felt authentic to his character.
If you could bottle the essence of your voice as a potion, what would it do for the listener who drinks it?
Make them do a spit-take, lol, or fall in love with a walking red flag.
If your narrator persona had a tarot card, what would it be and why?
The Fool. I initially wrote that as a joke, because in my existing roles I clown around a lot, but I think it actually might not be too far a stretch. The Fool is all about fearlessly taking risks, seizing the opportunity, being ready for a new adventure and getting out of one’s comfort zone. I’m all about these things, especially in my narration work. Embracing discomfort, letting go of self-consciousness, being bold even if that means “acting the fool” – yeah, that’s pretty apt.
Author Feature:
Kate Raven
How do you recover from moments of creative block or self-doubt?
Moan to my friends online about how everything is the worst, and Dana always pulls me out of it!
What is a writing ritual or habit you swear by (tea, candle, playlist, time of day, etc.)?
'Write a little bit every day.' I don't count words unless I'm on a deadline, and just doing a bit every day helps me not stress.
What inspires you to launch a new pen name/branch into a new genre?
Chaos, impatience, unbridled optimism
What is a question you wish someone would ask you?
"Describe your favorite books in every genre" lol
Has listening to your audiobooks changed your perception of your book? What has been your favorite line or moment to hear spoken?
I don't usually listen to audiobooks, but I love Lexy's voice and I have been moved to tears (of joy) at how funny she's made Dirty Rotten Cheating Husband
For aspiring authors, what would you consider the most important lesson you’ve learned?
Keep going and don't take it personally
What is a theme, trope, or (sub)genre you wish was more popular?
Dark cheating romance where a cheating psychopath is transformed into a faithful psychopath by the end of the book
For readers who love both your dark romances and your cheating romances, what common emotional thread do you hope they leave with?
Honestly, I am amazed when people love both of these pen names. I guess the common thread is immersion in a totally unrealistic fantasy world where we all suspend disbelief and have fun together
Which of your books was the hardest to write, and why?
My attempts to write sweet cozy Omegaverse (disastrous)
What’s next for you as a creator, a new series, a genre you’ve never tried, or an unexpected project?
I've been mulling a closed-door wholesome like Episcopalian miniseries about a vicar who arranges for a wife so his parishioners stop trying to set him up. Naturally they'd fall in love and hijinks would ensue. Maybe some very delicate murders would be solved. Obviously, this would be a new pen name lol
Author Feature:
M.A. Cobb
At Spellcraft Novel Media, we believe every story carries its own spark of magic, and every author brings a voice uniquely their own. Today, we’re honored to welcome M.A. Cobb into the Spellcraft circle. With a background rooted in grit, resilience, and love for the salt-of-the-earth, she crafts stories that explore survival, sacrifice, and the unexpected ways love shows up in the darkest places.
We asked M.A. Cobb about her journey, her inspirations, and the rituals that guide her creative fire.
M.A. Cobb’s stories carry a gritty authenticity, born not from imagination alone but from a life lived in the real, raw textures of work and land.
How has your background and upbringing shaped your voice in storytelling?
I worked heavy construction most of my life, then owned and ran a large farm for years. It makes it much easier for me to feel like I can have real, gritty characters who generally are blue collar, hard working, salt of the earth people. Those are the people I know, who love through their acts of service and what they can do with their own two hands. There’s also a tenacity to push through setbacks and hardships that I find inspiring.
It’s also why I tend to avoid things with billionaires. I’m a welder, not a debutante, and haven’t a clue about the lifestyle. It’s also why you won’t likely see me doing many more mafia centered books. My idea of romance is when he gets up to put the log on the fire, not handing me a black am-ex card, hahaha.
Her view of romance isn’t glitz or grand gestures, it’s the intimacy of a fire stoked, of small acts of care, of resilience that mirrors the people she knows.
From silence to persistence, M.A. Cobb finds inspiration in unexpected places.
When do you feel most inspired?
Silence. I’ve been told there’s something wrong with me since I choose to never listen to the radio when I’m driving. Even long trips (we drove for 6 days to move from Idaho to Arkansas last fall) I’d rather drive in silence and run through ideas in my head.
Yea, I know…weird.
How do you recover from moments of creative block or self-doubt?
I can honestly say I’ve never had a lack of ideas, but imposter syndrome is very real. My very first trilogy had a character with a fractured past who was due to be the fmc of the third book. I think that is the one time true self doubt came into play. It took me writing nearly 20 other books to finally be able to come back to hers because I legitimately didn’t think I had the ability to give her the story she deserved. (Burst of Retribution is finally going to be released this month, Oct).
What is a writing ritual or habit you swear by?
Hmm, I don’t really have much besides the necessary cup of coffee or two before I start. I don’t write until I’m fully awake (which has resulted in many very late night sessions).
My biggest ritual is just making sure my butt is in my chair with my hands on my keyboard. It’s the best way to get words down.
At the center of Cobb’s work is resilience, love in small gestures, and survival against the odds.
Your stories often explore love, sacrifice, and darkness. Which theme feels most personal to you, and why?
Overcoming the odds. My absolute favorite genre is post apocalyptic, and I think it really is because the characters are often put into insurmountable situations that they somehow manage to not only survive, but often thrive in. Another element I really love to add is the little things. To me, love is about paying attention to the nuance that really makes someone happy. So in every book, I always try to add a tiny thing that they do for the significant other simply because they know it’s what the other person likes.
But in truth, it’s what we’re all doing: trying to survive whatever crap life has thrown at us, which is why the tiniest things make such a huge difference. Some of mine are having a cup of coffee that is just right. Being able to sit in the sun while my dogs play in the yard. When my hubby hugs me from behind while I’m cooking dinner.
Those are the things I like to add into all of my stories, because they matter the most.
If you could step into one of your stories for a day, which character would you visit, and where would you go?
That’s a tough one because I write some pretty messed up stuff! I’d have to say anywhere in Black Gulch Ranch. It’s loosely based on a very close friend’s place I lived near in Idaho, so it would be a comfort to revisit.
As for a particular character, Mason from Spurs has always been one of my favorites.
Connection with loved ones also fuels Cobb’s creative fire.
When you’re not writing, what is a favorite ritual you share with loved ones that recharges you?
I’d say I have two. Every evening I spend time after dinner with hubby and just ask him how his day went. We make a point of just chatting at least an hour or so every night.
The other would be brainstorming with my son. He’s turning 18 this year, and has a wonderfully creative imagination of his own. At least once or twice a week we spend time hashing out story ideas (either mine or his) - yes, I do censor the details from my books from him! But in general terms, he’s incredibly insightful.
It’s a reminder that inspiration doesn’t always come from solitude, it can also be sparked in the ordinary magic of family.
With experience across genres, Cobb offers wisdom for new writers stepping into the dark. It’s a theme she feels deserves space, a darkness often heavier than fiction itself.
For aspiring dark romance authors, what would you consider the most important lesson you’ve learned?
That is a tough question as I feel I’m learning something daily. Spend more time on crafting a good story then trying to force feed trigger warnings into a book. Shock value is great and all, but without an encapsulating plot to really make it hit, the rest will fall flat.
Another is to make sure you have a thick skin. Dark romance as a genre comes with a set of preconceived notions from readers outside of the niche, so it’s often that I get unsolicited scathing messages regarding the content of my books when they haven’t even read them.
You write across romance, horror, western, dystopian. When you switch between genres, what internal shift do you undergo as a writer?
Strangely, I don’t feel a shift. I get excited about all aspects of each. From the light flirty banter of the cowboys to the dark malevolent broodiness of the vampires, it’s all fun for me.
What’s one “dark theme” you think is underexplored in cowboy/romance settings, and what story would you like to tell to explore it?
I’m not sure if I’d like to explore it more, but I do think that one theme I encountered personally working in agriculture for so many years is the overwhelming amount of day to day frustrations that are encountered.
There’s nothing romantic about the work itself. It’s exhausting and often unfulfilling, and puts an insane amount of strain on relationships. Things completely out of their control can have devastating effects on their very livelihood.
That level of constant stress is very real, but never really conveyed in books. I do try to touch on it lightly in some of them, but not as much as it happens in real life.
Farmers have the highest suicide rates out of almost any profession. It’s a dark theme that’s rarely discussed because there’s no HEA at the end of it.
It’s almost easier to write about the end of the world than a real ranch.
I do touch on mental health in a few books, but try to be careful about souring the ‘romance’ of real ag work.
They’re heroes in every sense of the word.
For readers who love both your cowboy world and your horror collaborations, what common emotional thread do you hope they leave with, fear, healing, survival, identity?
That even in the darkest of times, finding love within ourselves, finding hope, is entirely possible.
From the emotional weight of certain books to playful collaboration, Cobb explores many sides of storytelling.
Which of your books was the hardest to write, and why?
Ah, yes, by far was Saddles. The actual writing was easy, the story went down quickly.
But I cried so much with every word I had to take a lot of breaks.
In a different way, Burst of Redemption was also very difficult because I felt like I didn’t have the ability to tell the story the characters deserved. It took me nearly three years of writing to finally feel confident enough to put it down.
When collaborating on the erotic horror series with Kitty King, how do you balance your particular voice with another author’s vision?
Those stories are a lot of fun. I look at it like playing “Mad Libs” with her. We set down a general outline, then choose which POV we want to write for that book. Switching chapters, it’s a great exercise at playing with new parameters. I get to read what she writes in the previous chapter, then build on it from the different character, making sure to hit the beat points we determine in the outline.
But it’s a great deal of fun knowing it won’t go on KU, so takes away some of the restrictions. I joke that I get to play the gross out game with Kitty when we’re writing those. I think I almost write them just for her to see what her reactions of each of my chapters will be. It makes it fun, and almost lighthearted despite the dark content.
Do you believe your characters choose you as much as you choose them, like spirits that want their story told?
Without a doubt. I was explaining once to a friend how my process works, and I think it sums it up pretty well.
Once I get an idea in my head, it’s like I’m putting one of those old VHS tapes in the player and watching the book like a movie in my mind.
But I’m also able to push ‘pause’ and put in a new tape at any point, picking up wherever I left off with the other story (I almost always have 3-5 active works in progress going)
So once the idea hits, it’s almost always the characters driving the stories. I’ve been surprised OFTEN by a revelation in writing when something happens I didn’t expect that takes things in a direction I wasn’t even aware of.
I’m just a passenger on the ride at that point.
If you could brew a tea or potion inspired by one of your books, what would it taste like?
Hands down my choice would be mimosas. Alice is the fmc in Curse of the Mourning Ring, and she is BY FAR the most ‘me’ I’ve ever put into a character. I had an absolute blast writing her, and made her drink of choice my own favorite: mimosas.
True to form, Cobb has no shortage of projects. From finishing the Black Gulch Ranch series to post-apocalyptic romance and vampire tales, her imagination brims with worlds yet to be written.
What’s next for you as a creator?
I always have 3-4 WIP in progress at a time. Currently I have the 6th book (of 8) for the Black Gulch Ranch series in the works. The remaining books I’m hoping to have done by spring. I’m fortunate enough to be a full time writer now, so I generally aim for 3-4 chapters a day.
I also am working on a vampire book, Threat of the Bite, which is on Patreon/Ream.
Just finishing Burst of Retribution, a post apocalyptic romance (the third book in my original Sunburst trilogy)
The 3rd book in my Dire Universe, The Dire Obsession, will be out in Dec.
As for upcoming projects: I have a new pitch black zombie book outlined, and more post apocalyptic books ready to go. Kitty King and I have more installments of the Horror Hotel series planned, and I’m also flirting with the idea of a 2nd gen to my Black Gulch series (possibly).
No shortage of ideas, only writing time, haha.
And with that, she reminds us all: creativity isn’t about scarcity, but about showing up and weaving the next spell one word at a time.
We’re grateful to feature M.A. Cobb as our first author spotlight. Her stories, gritty, heartfelt, and unafraid of the dark, mirror the tenacity of her own journey. Thank you, M.A. Cobb, for sharing your voice with us, and with readers who are braver for stepping into your worlds. Her stories remind us that even in the darkest places, love and resilience can still rise, a message we’re honored to help amplify.
Be sure to follow M.A. Cobb, explore her worlds, and let her words remind you of the strength that lives within the shadows.
www.macobb.com
IG: m.a.cobb_author